Dragonball Z Episodes:- Saiyan Saga:::Ep11 - 26

Episode No. 1 - 10 can be downloaded HERE


11.) Showdown in the Past
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12.)The End of Snake Way
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13.) A Fight Against Gravity... Catch Bubbles!Download Link (Rapidshare)
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14.) The Legend of the Saiyans
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15.) A Black Day for Planet Earth
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16.) The Battle Begins... Goku where are you?
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17.) The Saibamen Attack
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18.) Nappa... The Invincible?
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19.) Tien goes all out!
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20.) Time's Up!
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21.) The Return of Goku
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22.) Goku Strikes Back!
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23.) Goku vs. Vegeta... A Saiyan Duel
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24.) Vegeta... Saiyan Style
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25.) Stop Vegeta Now!!
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26.) Battle's End
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Season 2 of Dragonball z:- 'The Namek Saga' will be uploaded tommorow

Dragonball Z Episodes:- Saiyan Saga:::Ep1 - 10

This is Funimation's original version of Dragonball Z, counting 276 episodes. In other words, this is the version most of you've seen on Cartoon Network. All the episodes are in ENGLISH

1.) The Arival of Raditz

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2.)The Worlds Strongest Team

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3.Gohan's Hidden Powers

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4.Goku's Unusual Journey

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5.Gohan's Metamorphosis

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6.Gohan makes a Friend

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7.Trouble on Arlia

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8.Home for Infinite Losers

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9.Princess Snake's Hospitality

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10.Escape from Piccoro

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More Episodes will be posted tommorow

Partner (2007)

Some do's and don'ts you need to follow while watching PARTNER…

• Lock your brains in the almirah, before you head for the nearby movieplex to catch this zany entertainer.


• Don't look for logic. Don't ask questions. Don't raise eyebrows. .


• Don't argue with what the master chef David Dhawan serves on your plate. .


• Do carry some earplugs/earwax if you're allergic to noise. The cineplex will reverberate with high decibels of laughter, which could tax your ear-drums if you're overtly sensitive.
  

Welcome to PARTNER, David Dhawan's new comic caper. It's stylish, it's crazier, it's a bigger entertainer than David's last two laughathons, MUJHSE SHAADI KAROGI and MAINE PYAAR KYUN KIYA. Making people laugh is an art and David has mastered this art over the years. Like wine, he has only matured with time.

Let's come straight to the point. PARTNER is for those seeking non-stop entertainment. It's targeted at those who swear by masala films. Those who want to get transported to a world of make-believe in those 2 hours. It's definitely not for those who actually know what to expect, but pretend to rubbish escapist cinema. Also, it's not for certain critics [looking for art cinema in a masala entertainer] whose star ratings are a much bigger joke than the one David Dhawan pulls off with élan. The film works, and works big time.

In a nutshell, if you're into escapist cinema, if you're looking for laughter unlimited, if you're curious to watch the bonding between Govinda and Salman Khan, if you're a big fan of David Dhawan movies, if you believe in shelling out Rs. 150 for a ticket and expecting entertainment worth Rs. 200, PARTNER is just for you!

Prem [Salman Khan] is a 'date doctor' who, for a fee, has helped hundreds of men woo the women of their dreams. In his childhood, he understood a woman's likes and dislikes in food, clothes or men. His aim is to help those men who like or love women, not to take them to bed.

The ultimate professional bachelor, Prem discovers that his tried and tested tricks are no match for Naina [Lara Dutta], the one woman he truly loves, who works for a newspaper as a journalist.

He comes across Bhaskar [Govinda], who is in love with Priya [Katrina Kaif], the rich and famous daughter of a tycoon [Dilip Tahil]. Prem helps Govinda find his lady love and eventually also finds a soulmate in Naina.

Inspired by director Andy Tennant's likable Hollywood hit HITCH [2005; Will Smith, Eva Mendes, Kevin James, Amber Valletta], PARTNER is a true-blue David Dhawan film. It's glossy, has some stunning visuals, boasts of very catchy and hummable music and of course, hardly has any tense moment in those 16 reels.

What works is the casting of the two characters, who're as dissimilar as chalk and cheese. Although the romantic portions have the right chemistry between Salman and Lara and Govinda and Katrina, the USP is undoubtedly the terrific bonding between Salman and Govinda, whose on-screen escapades take the film to dizzier heights. Besides, the witty one-liners [Sanjay Chhel] are another ace that has the viewer in splits. The dialogues are truly funny and actually accentuate the impact of every sequence.

Any 'hitch'es? Yes, there's one! The track that leads to the misunderstandings in the climax looks unwarranted. Writer sahib [screenplay: Yunus Sajawal, David Dhawan], this track [Rajat Bedi, Aarti Chhabria] compels you to break into a yawn. Also, it adds to the length of the enterprise. But the subsequent portion [Govinda's honeymoon travails] is rip-roaringly funny.

David Dhawan gets it right yet again. He's on familiar ground and like a seasoned cricketer knows the game inside out. He hits a boundary yet again. Sanjay Chhel's dialogues are superb. Sajid-Wajid make a terrific comeback, with every song having the stamp of a chartbuster embossed on it. Even their picturizations [choreography: Bosco-Caesar] are excellent. Cinematography [Johny Lal] is first-rate. The film bears an opulent look all through. Costumes of Salman and Govinda [Alvira Khan Agnihotri] are stylish.

The question is, who steals the show? Actually both! Salman performs like never before. Sure, he looks dapper [one compliment he's heard umpteen times], but he packs in a solid punch whenever he's on screen. His fans will only multiply with this film. Govinda sets the screen blazing with an incredible performance. Although the actor has featured in a few films after a hiatus [BHAGAM BHAG, SALAAM-E-ISHQ], PARTNER is his comeback film. He has the viewer eating out of his hands actually. Those who felt that he's a spent force will have to eat back their words.

Lara Dutta looks gorgeous and pairs off very well with Salman. Katrina Kaif looks gorgeous and pitches in a natural performance. Rajpal Yadav is really funny. Puneet Issar is alright. Dilip Tahil is okay. Suresh Menon is excellent. Child artiste Ali Haji is wonderful. His confidence level is astonishing!

On the whole, PARTNER is a winner all the way. This one's a laugh-riot that will have the viewers laughing in the aisles and its distributors, laughing all the way to the bank. A sure-shot 'Hit'.

Final rating:- 8.5\10

source:- Indiafm

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DBZ movie 8 - Broly The Legendary Super Saiyan

A Saiyan warrior has arrived on Earth. His name is Paragus and he seeks the rightful ruler of the Saiyans, Vegeta! Confessing his loyalty to his new king, Paragus pleads with the powerful warrior to vanquish a rampaging Super Saiyan who is threatening to destroy the entire galaxy!
But when King Kai learns of the Super Saiyan threat he begs Goku to rush to the scene of the action to take care of the problem himself. Sparks will fly as Goku and Vegeta clash over who is to be the one to confront the galaxy?s new menace.

However, the mysterious Paragus is not what he seems. What information does he have about Goku and Vegeta?s past? With Paragus? volatile son Broly on the scene, the Saiyan power struggle reaches new levels of excitement and danger. Broly has his own agenda, and his target is the most powerful Saiyan in the Universe! But will it be Goku or Vegeta?!


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Harry Potter and the Order of the Phoenix (2007)

The movie version of the fifth Harry Potter novel may well be the most prosaic so far. This, at the outset, doesn't sound at all like the best thing one can say about any movie. And it is not to say that "Harry Potter and the Order of the Phoenix" doesn't provide you with as much spectacle and visual thrills as the four Potter movies before it.

But given that "Order of the Phoenix" is the darkest, most densely plotted and distressingly nuanced of J.K. Rowling's novels - up till now, anyway - there's no way that a diligently faithful film adaptation could avoid coming across thick and heavy.

Of course, if you've read all the books and seen all the movies up to this point, you may not mind the extra weight. But a newcomer to the Potter chronicles making his or her acquaintance with this film may be forgiven for wondering where the magic is; not just the transfigurations, sparkling explosions and assorted phantasmagoria ( which "Order of the Phoenix" has in fair abundance), but the sense of wonder and transport that helped make Rowling's books into a global cultural phenomenon.

"Order of the Phoenix" represents the point in the Potter epic where the fun really ends once and for all for our bespectacled hero (Daniel Radcliffe). Harry's now at that vulnerable point in adolescence where he doesn't necessarily need to be in the crosshairs of a malevolent uber-sorcerer to feel awkward, lonely and resentful at various hours of the day.

What makes matters worse is that not only is that aforemented evil sorcerer Voldemort (Ralph Fiennes) bearing down on Harry, but there are few beyond Harry's best friends Ron (Rupert Grint) and Hermione (Emma Watson) who believes his warning that He-Who-Must-Not-Be-Named once again threatens civilization.

In fact, the Ministry of Magic has worked itself into such a manic state of denial that its not only discredited Harry through the tabloids, they've installed a priggish, treacherous teacher named Dolores Umbridge (Imelda Staunton) at Hogwarts School of Witchcraft and Wizardry. Her job is to put the hammer down on the kind of advanced magic coursework that could protect the school and its students from Voldemort's looming terrors.

It's a scenario whose progression depends as much on back-room intrigue as it does on flying broomsticks and mythological creatures. Director David Yates, best known for his work on an award-winning BBC mini-series, "State of Play," adroitly moves "Order of the Phoenix's" complicated tale through its often-agonizing twists and turns. Much like Harry, the movie is a flurry of jolting mood swings. It fascinates without being a whole lot of fun, except in too-brief sporadic moments.

If there's joy and magic to be found in "Order of the Phoenix", it's in the performances, especially Staunton's deliciously sadistic meanie. Radcliffe, meanwhile, has ripened into a resourceful leading man who can hold his own with Fiennes, Michael Gambon, Gary Oldman, Alan Rickman, Brendan Gleeson, Robbie Coltrane, Maggie Smith and the other grand old pros who have hung with the franchise up till now.

Ten days from now, we'll know how it all - ultimately - turns out for Harry and Hogwarts with Rowling's seventh and purportedly last Potter novel. If this movie does nothing but whet our appetites for the denouement, it's worth the candle.

Final rating:- 9/10

Source:- Newsday


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Naqaab (2007)

Considered master thrillers in the film industry here, director duo Abbas Mustan's latest Naqaab has been touted as a shocking thriller. Laced with exotic locations, beautifully picturised songs, a good looking cast and some twists and turns, the film is a good package, an honest effort. There are a few minus points but the film can't be called disappointing.

Sophiya (new comer Urvashi Sharma),a lonely girl in Dubai wins over multi millionaire Karan (Bobby Deol) and finds acceptance in his mansion and heart. When Karan proposes, Sophiya accepts and goes out with her friends to celebrate the engagement. Its there that she meets the dashing Vicky (Akshaye Khannna) who is there along with his two side kicks ( Vikas Kalantri and Vishal Malhotra). Sparks between the two fly and in spite of trying ,the engaged Sophiya fails to ward off the charmer. A few clandestine meetings later, the two fall for each other hook, line and sinker. There are a couple of elements thrown in the first half like Urvashi's stalker, her ghosts of the past, hidden cameras recording the activities of the lovers, Akshaye's anonymous calls and Bobby Deol's too benevolent and sugary lover of a character which comes across as deceptive.
The nail of suspicion points towards everybody. In fact there are so many things happening in the first half that it's really hard to comprehend what's going on.

It's towards the second half that the film actually takes off when Sophie spurns Karan on their wedding day at the altar, his supposed 'suicide' and the actual revelation. Here too there are a few loose ends in the screenplay like lack of conviction but it's the climax of the film which sparkles when one comes to know how the love birds staged the perfect act to get rid of their exploiter. This revelation towards the end is something novel which the directors have obviously experimented with. This should appeal to the multiplex audiences but chances are, the masses might not be able to grasp this. The saving grace is the fact that the film is not too long, only about two hours.

As for the performances, Akshaye Khanna is scintillating and is at his natural best. Bobby Deol is good too, though in most parts of the film he plays second fiddle. Junior Deol is no doubt a stylish guy but minus his long unkempt locks he can look even better (wish he had started taking this advice seriously). Urvashi Sharma is unconventionally beautiful and has a great body which she flaunts, sporting everything from a swimsuit to western wear to sarees. She has a flexible body and her dance moves are really nice (especially in the salsa and the Arabian style song). She tries to do well and does look like a Catholic character. But the fact that she has not too many expressions on her face serves as a negative quality considering the fact she is the leading lady of the film. Only if the brilliant Akshaye had given her some more tips! Of the two side kicks, Vishal Malhotra suits his role and Vikas Kalantri tries to do so but unfortunately appears irritating at times. No wonder he could never make it as a leading man in spite of slogging hard. Raj Zutshi doesn't have anything much to do.

The film has been shot well in beautiful foreign locations and also edited well. In fact somewhat of an international feel has been given. The lovemaking scene between Urvashi and Akshaye has been artistically picturised and doesn't look awkward.

The music is melodious but inferior compared to the earlier films of the men in white (including the first Bobby -Akshaye starrer 'Humraaz'). Except for a few points here and there, Naqaab is a not too bad fare after all especially since it has some innovativeness.


Final Rating:- 4/10

Source:- Entertainment.oneindia


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Dragonball Z Movie 2 :- The Worlds Strongest

Thanks to the Dragon Balls and his dedicated assistant Dr. Kochin, the evil Dr. Wheelo has been freed from his icy tomb. Now these mad scientists plot to take over the world with their fearsome biotechnology...There's just one hitch. Dr. Wheelo's body died, and now his brain is living in a glass jar! Dr. Wheelo seeks the strongest, healthiest body in the world to be the new home for his magnificent brain, so Dr. Kochin and their android warriors kidnap Piccolo and Master Roshi in their quest to find the world's strongest fighter. Goku, Gohan and Krillan come to their friends' rescue, but Dr. Wheelo's henchmen are amazingly strong! To make matters worse, it seems that Dr. Wheelo not only wants to have Goku's body, but he already controls Piccolo! Willour heroes save the day or lose their minds?! Watch the movie to find out.


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Apne (2007)

With Shraddhanjali, his directorial debut, Anil sharma proved that he could make you moist-eyed. With Hukumat, he proved that he could pull off a vendetta fare with gusto. With Gadar, he proved he could handle a love story with two neighboring countries as the backdrop with remarkable ease.
Apne, his new endeavor, is all about familial bonding. In a way, the storyteller goes back to his roots in his new outing -- emotions.

Apne casts a father [Dharmendra] and his two real-life sons [Sunny,Bobby], in roles that suit their personalities. Besides, the backdrop of boxing makes the conflict in the story look convincing.
Apne is rich in emotions and a number of sequences, especially those between Dharmendra and Sunny, are electrifying. Also, the boxing matches [Chris Anderson] are pulse-pounding and you clench your fists tightly due to the tension that's depicted on screen.

But Apne has its share of shortcomings as well. Ideally, the film should've had a concise format of 2.15 hours, instead of 2.54 hours. Besides, the screenplay, although tight at most times, succumbs to mediocrity at places. Music too is another aspect that should've had a lingering effect, since it's not everyday that the three Deols come together.

To sum up, Apne is desi at heart and holds appeal for those who swear by desi flicks. A worthy effort nonetheless!

Baldev Singh Choudhary [Dharmendra] won a silver medal in the Olympics and made India proud. His only dream was to make history by becoming India's first World Heavyweight Boxing Champion. But sometimes dreams get shattered before they can be realized.

When in the U.S., fighting for the World Heavyweight Championship, the betting mafia conspires against him and gets doping charges leveled against him, which gets him banned from boxing.

For an athlete nothing can be worse than doping charges. Baldev wants to get rid of this stigma and pain by training his elder son Angad [Sunny Deol] in the sport of boxing and make him a World Heavyweight Champion and create history which eluded him.

Apne Trailer

But Angad has some other dreams, other aspirations, other commitments... Karan [Bobby Deol], the younger son, a musician, in spite of wanting to fulfill his father's dreams, is helpless. But the story takes a turn when Karan decides to live his father's dream. The situation spirals out of hand subsequently.......

Apne grips you gradually. Anil Sharma and writer Neeraj Pathak open the cards at the very outset. The uneasy relationship shared by the father and son [Dharmendra, Sunny], Dharmendra's failed ambition, the turning point in the tale [when Bobby steps in to fulfill his father's dreams] make the goings-on watchable. The narrative only gets absorbing when the focus shifts to the boxing ring and the opponent [Luca] steps into the picture.

But there's a flip side too. The choreography of these sequences [in the boxing ring] is so real that it can be off-putting as well, especially for the faint-hearted. Also, the climax is well crafted, but, ideally, it should've ended when Sunny overpowers the opponent. The subsequent portions [Bobby's liver problem] only add to the excessive length.

Director Anil Sharma handles the emotional sequences brilliantly. In fact, a number of scenes bear the stamp of a solid storyteller. The screenplay [Neeraj Pathak] is taut, except for a few loose ends. Himesh Reshammiya's music is a complete letdown. Barring the title track, the remaining songs are uninspiring. Kabir Lal's cinematography is topnotch. The lush green fields and locales of North India give the film a rich texture.

Apne belongs to Dharmendra. No two opinions on that. The veteran roars like never before and proves yet again that he's a magnificent actor. Sunny is first-rate. Bobby is alright, but the one complaint that you hold against him is, why didn't he work on his physique when he accepted this role? If he's playing a boxer, he can't afford to show his flabby chest and stomach.

The leading ladies don't have much to do. Shilpa at least gets a few scenes, while Katrina is there to shake her booty only. Kirron Kher is superb yet again. In fact, she has a far meatier role than the two ladies. Divya Dutta is wasted. Victor Banerjee is natural. Jawed Sheikh gets minimal scope. Aryan Vaid is alright. Luca is excellent.

On the whole, Apne is rich in emotions and has the potential to strike a chord with families. Those who love emotional fares are bound to take a liking for its theme. At the box-office, it has the power to grow with a strong word of mouth. Business in North India will be the best. However, trimming the film will only elevate its status.

Final rating :- 8/10

Source:- Entertainment.oneindia


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Die Hard 4.0 (2007)

Finally, my curiosity was satisfied and for the first time in a long time, my high expectations were more than met. I watched Die Hard 4 last night and…. WOW!! I couldnt watch first few mins because my dig peed on my lag (ewwww!!) When I got in, Bruce Willis was having an argument with his daughter at 3:00 a.m. with her boyfriend in the middle, then he gets a call from the police chief telling him to escort some computer hacker to the FBI. Apparently, the FBI were not the only ones after this kid. So, as usual, Willis is at the wrong place at the wrong time (yeah!). And that was when the movie and the “Die Hard” theme began. Starting that moment till the very end of the movie, the action does not stop, things blowing up left and right, bullets flying around all over the place, people flying off buildings, people being kicked out of windows, crazy car chases, and much more. You would think that Willis is old and not up for a movie like this, but he did an awesome job. He was able to keep the “Die Hard” feeling alive, you know how he ends up all bloody and bruised, yet kicks the shit out of everybody; he succeeded.

I dont want to ruin the movie for anyone but to give you a brief. Basically, it is a group of cyber terrorists who pretty much hack the whole country and end up controlling pretty much everything. Their aim is to cripple the country and do so by disrupting traffic, gaining control over a chemical factory, and shutting down the electricity. Why they do that and who is behind it are two things you need to watch the movie to know. If I say anything more, I might ruin it for you, although it is known people dont watch Die Hard for the story but for the action it packs in.

One thing for sure is the action is intense and Luckily, there was only one small kiss, which was naturally cut off. You see cars blowing up and flying around like they were paper bags or something, cars blasting through buildings and other things, a battle between a 12-wheeler and a fighter jet hovering in the middle of a multi-story bridge, fighting scenes that make you think you are watching the Matrix or X-Men. I am trying to think of any moment when I was bored during the movie…… I cant!! I highly recommend you to watch it and do NOT, I repeat do NOT, waste such an incredible movie by getting it on DVD and watching it as home, this is a must see at the cinema. There is a trailer in between this review, check it out. . Enjoy!! And as Willis’ signature line in all Die Hards: “Yippie Kay Yay Motherfucker” woohoooo.

Final rating:- 9.5/10

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Oceans Thirteen (2007)

Brad Pitt doesn't really act in Ocean's Thirteen, he just glides through the third chapter in Steven Soderbergh's heist-flick annuity on the magic carpet of his own unimpeachable cool. Don't knock it. Genuine star power is rare -- just watch Colin Farrell, Jude Law and Orlando Bloom struggle to attain it. Pitt has it in spades -- all aces.

Like Dean Martin did with Rat Pack capo Frank Sinatra in Ocean's Eleven back in the Pleistocene era (1960), Pitt, 43, damn near holds his own with George Clooney, 46, the current go-to icon for effortless charm. That they both rolled craps in 2004's Ocean's Twelve, the self-satisfied ringer in the series, seems to have taught a hard lesson: Do not overplay the arrogance card. While co-stars Matt Damon, Don Cheadle and Al Pacino, as the scrappy villain of the piece, knock themselves out to add juice to the movie, Pitt, following Clooney's lead, never breaks a sweat. And yet we're grabbed, drawn in by something beyond looks.

Despite the tabloid scrutiny that follows Pitt and Angelina Jolie on their merry rounds of film and baby making, Pitt has become increasingly comfortable in his own skin. His newfound ease becomes him. As Rusty Ryan, chief wingman for Clooney's Danny Ocean, Pitt takes the same light-fingered approach to robbing a casino as he does to stealing a scene. "Are you crying?" Rusty asks, catching Danny sniffling at an Oprah giveaway show on the tube. The setup evokes the kind of banter that Frank and Dean thrived on. But Pitt turns Rusty's amusement into a deeper curiosity. Is he being played, or did he detect a twinge of sincerity in Ocean? Feelings are dangerous in a gambler and a thief. No wonder Rusty's on the lookout.

Still, it's feelings that kick-start Ocean's Thirteen, written with beyond-the-call-of-duty panache by Brian Koppelman and David Levien, renowned in my house for the poker cult classic that is Rounders. The only person who can get Ocean tearier than Oprah is his pal Reuben Tishkoff (Elliott Gould in top form), who has just been royally screwed out of his stake in the Strip's newest hotel-casino, the Bank. In a burst of Trump-like hubris, Pacino's Willy Bank has named the place after himself. To revenge Reuben, the boys -- including the priceless Carl Reiner as Saul Bloom -- decide to take down Willy and his Bank.

The movie is all heist, which Soderbergh carries off in high style. Is the Oscar-winning director of Traffic slumming with this piffle? You bet. But this time he doesn't let it show. His only misstep is the subplot involving Damon trying to seduce Willy's number two (Ellen Barkin). Barkin, reunited with Sea of Love co-star Pacino, is too smart and sexy to be the butt of cheap cougar jokes lobbed by the boys.

Otherwise all is well, especially the sparring between Pitt and Clooney. "Keep the weight off," Rusty teases Ocean, referring to the pounds Clooney packed on for Syriana. "Settle down, have a couple of kids," Ocean winks back in a real-life reference no one could miss. It takes skill and experience to erase the line between actor and character without turning off the audience. We know Clooney can do it. But Pitt is the real surprise. Top performances in Fight Club, Seven, 12 Monkeys and last year's Babel have erased the self-consciousness of his days as a stud muffin. In Ocean's Thirteen, Pitt is not out to prove himself. He's a star, baby, and in the highest praise one gambler can pay another in this class act of a caper movie, he's worthy to shake Sinatra's hand.

Final rating:- 8.5/10

Source:- Rollingstone


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Transformers The MOVIE (2007)

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Transformers The Game For PC and PS2

Synopsis As Optimus Prime scanned the radar, he noticed something unusual. A group of large flying objects were making their way toward the Autobots' headquarters at breakneck speed. Could this be the evil Decepticons? Rumors had been surfacing all week about a possible attack, and what better way than to take the Autobots by surprise? With the push of a button, the Autobots were called to arms and moved into their battle positions. The war for Earth was about to start. Given the choice, which side would you fight for?Transformers: The Game puts this decision in your hands by allowing you to protect or destroy the Earth as either the Autobots or the Decepticons. Choose from an army of characters from the Transformers universe and use their strengths and abilities to your advantage. Battle in a completely interactive environment, use any object you see as a weapon and destroy everything else in sight. Take on your enemies in head-to-head combat, using your character's unique fighting techniques and special moves. Or, engage in long distance battles where your ability to transform will prove essential. The battle for Earth has begun: is it in your heart to save it or are you set on utter destruction?

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mirror3
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PlayStation 2

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Bheja fry (2007)

Gen X film-makers are brimming with ideas. Stories that were considered abstract, experimental and out of the box are finding an audience and most importantly, an outlet [multiplexes]. BHEJA FRY is one such film.

Ideally, the plotline of BHEJA FRY is best suited for a stage play [theatre], but director Sagar Ballary makes an attempt to garnish it with interesting twists to suit the 35 mm format. Only thing, a concept like BHEJA FRY, even though it packs in ample laughs in 12 reels, is strictly for the multiplex junta. Again, not all multiplexes, but select ones. With a title like BHEJA FRY, you expect a wacky fare and it does meet your expectations at times. The incidents take place in one night and unlike IS RAAT KI SUBAH NAHIN [different genre, but incidents unfold in one night], BHEJA FRY stresses on humor.

Whether it's the rift between a married couple [Rajat Kapoor, Sarika] or the other people involved in their lives [Milind Soman, Bhairavi Goswami] or a man finding out that his wife is cheating on him [Ranveer Shorey], Ballary injects humor in every situation. Serious moments? Don't look for it in BHEJA FRY.

In a nutshell, BHEJA FRY is a time pass fare that doesn't tax your bheja. It has its limitations since it caters to a select audience, but the film dares to push the envelope further.

Ranjeet Thadani [Rajat Kapoor], a music company executive, hurts his back the night he has found a prize catch for a weekly bring-your-idiot talent dinner hosted by his friends and him. He ends up spending the evening with this idiot, Bharat Bhushan [Vinay Pathak], who tries to help him get his wife [Sarika] back, who left him earlier that day. The result is utter chaos let loose by the idiot, who cannot do a single thing without messing it up further.

The plot turns around to be a series of mini disasters that leave Ranjeet's comfortable life in ruins.

It's difficult to make people laugh and director Sagar Ballary walks a difficult path in his directorial debut. But what bails him out are a fairly interesting screenplay [Sagar Ballary, Arpita Chatterjee] and most importantly, an actor who gets it right in every scene -- Vinay Pathak.

There are times when you truly enjoy the jokes, but there're also times when you refuse to flex your facial muscles since the humor appears forced. The best moments are those when Vinay calls up various people [Milind, Bhairavi, Ranveer, Sarika], but ends up messing things. From the writing point of view, the track between the couple [Rajat, Sarika] is the weakest since on one hand they seem like a perfectly normal couple [the husband gifts his wife a swanky car] and minutes later, the wife walks out of the house. Kya hua? Pata nahin!

The film relies on humorous lines and one-liners and the dialogues are enjoyable at most times. There's no scope for music in the film, but the lone track is strictly okay.

Vinay Pathak is the star of the show. He looks every inch a simpleton who's ready to become the bakra. He says everything with a straight face, that's one of the reasons why this performance works. His timing is simply fantastic.

Rajat Kapoor is alright. Sarika doesn't get much scope. Milind Soman enacts his part well. Ranveer Shorey goes over the top this time. Bhairavi Goswami exudes oomph, but needs to work on her facial expressions. Tom Alter, Harsh Chhaya and Ikhlaque Khan get limited scope.

On the whole, BHEJA FRY has its enjoyable moments, but it's the type of cinema that would appeal to the multiplex junta of a few cities only. An effort like this will find more patronage on DVDs/Satellite TV than the ticket window.


Final rating:- 4/10

Source:- Indiafm


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Life In a... Metro

The trend of narrating multiple stories in Hindi films continues. Salaam-E-Eshq, Just Married: marriage was only the beginning and Life Mein Kabhie Kabhiee, all 2007 films, tackled multiple stories in those 2.30/3.30 hours. Metro charters a new path because the multiple stories run concurrently. Also, the characters are, in some way, linked with each other.

With Metro, director Anurag Basu proves for the third time [after Murder and Gangster] that he's an incredible storyteller. The complexities in relationships, the shortcuts one adopts in life to attain the goals and the corrosion of ethics and values have been depicted most convincingly. Yet, Metro is no landmark film. It doesn't sweep you off your feet...
If Anurag Basu, the director, deserves brownie points as a storyteller, Anurag Basu, the writer, is just not in terrific form this time around. Reason: The culmination of a few stories, besides the unique concept of using the 'Metro Band' in every song, prevent the film from reaching dizzy heights.

Rahul [sharma joshi] works as a call centre executive in Mumbai. He silently loves his colleague Neha [Kangna Ranaut]. A smart young woman who has climbed the ladder in a very short time. And hard work is not her only secret. Because her boss, Ranjeet [Kay Kay Menon], loves her and is willing to shower her with gifts and opportunities... only if she is willing.

In his 30s, Ranjeet is married to Shikha [Shilpa Shetty] with a 6-year-old daughter. They had decided that she should stay back at home and take care of the house and the kid. Ranjeet ventured out on his quest for money and success... and forgot his family somewhere on the way. And bitterness and boredom crept into their relationship. Soon he found solace and a fresh lease of life in Neha.

Neglected by an indifferent husband and bogged down by family chores, Shikha is soon attracted to Akash [Shiny Ahuja], a struggling theatre artist whose wife divorces him because she cannot stand his failures anymore. Akash and Shikha's love blossoms and she almost crosses her limits.

Amol [Dharmendra] is a 70-year-old man who returns to India after 40 years. To spend the last few years of his life with his first love, Vaijanti [Nafisa Ali]. The lady lives in an old-age home and is Shikha's aunt who gives moral strength to Shikha.

Shikha's sister and Neha's room-mate, Shruti [Konkona Sen Sharma], works at 'Radio Mirchi'. In her 30s and still a virgin, she's desperate to get married. She is dreamy eyed about her RJ, Wishy K [Gautam Kapoor]. She also meets Debu [Irrfan Khan] through a matrimonial site. She hates him. But Debu doesn't.
Director Anurag Basu's handling of a few dramatic and emotional moments is exemplary. Dharmendra's introduction at the railway station, the tense moments between Kay Kay and Shilpa, the entire track featuring Irrfan and Konkona Sen Sharma including the sequence on the rocks [after they've shopped for Irrfan's wedding] and the sequence when Shiney and Shilpa are about to get physical are portions that register a strong impact. Also, the handling of the multiple stories concurrently is praiseworthy, for not once does confusion prevail since so much is happening to so many characters.

On the flip side, the culmination of a few stories looks hurried and half-baked. The Dharmendra - Nafisa Ali story deserved a better conclusion. The one depicted in the film is so filmy! Similarly, Kangana suddenly realizing that she needs to be with Sharman in the end [she leaves Kay Kay stranded] looks unbelievable.

The culmination to the Shilpa - Kay Kay story is ludicrous. Shilpa is about to leave her home when the door bell rings and she finds her husband [Kay Kay] staring at her. He seems repentant and one assumes he has returned home on a rebound [Kangana has dumped him]. Surprisingly, Shilpa goes back to the heartless guy, bidding goodbye to Shiney, who genuinely loves her. Wrong ending!

Another area where the film suffers is that each and every song has the Metro Band coming up from nowhere and humming the lines. Agreed, they are good singers and using the Band in a song or two would've been okay, but every song? They're such a terrible put-off! Besides, the films music [Pritam] is strictly okay.

Metro is embellished with superior performances, with Shilpa, Kay Kay Menon, Irrfan and Konkona vying for top honors. Shilpa delivers her finest performance thus far, much better than her work in Phir Milenge. In fact, this performance needs to be remembered when the 'Bests of 2007' are compiled during the year-end. Kay Kay Menon is exceptional. You hate him, detest his very sight, all thanks to a terrific portrayal.

Actor Irrfan Khan is the life of the show. You're bound to run out of adjectives to describe this performance. He's sure to appeal to every strata - elite, intellectuals, classes, masses, kids... Konkona compliments Irrfan beautifully all through. A brilliant performance yet again. Veteran actor Dharmendra is simply superb. He makes you moist-eyed at several places. Sharman Joshi underplays his character beautifully.

Kangna Ranaut is not in form this time. Shiny Ahuja is passable. He deserved a few more meaty scenes. Nafisa Ali is grace personified. Gautam Kapoor is adequate. Manoj Pahwa is okay.

On the whole, Metro could've been a path-breaking experience, but the faulty writing throws a spanner. At the box-office, the film caters to the multiplexes of big cities mainly. The initial weekend business will be encouraging at select Metros, but things might get shaky eventually.


Final rating:- 6.5/10

Source:- Entertainment.oneindia

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