Hostel 2 (2007) - DVDrip

Beginning where Hostel ended, Paxton (Jay Hernandez), now in seclusion with his girlfriend Stephanie (Jordan Ladd), disregards her pleas to report his friends' deaths. In the morning, Stephanie discovers Paxton's decapitated body in the kitchen. In Slovakia, a mysterious package is delivered to Sasha (Milan Knažko). In Italy, art students Beth (Lauren German), Whitney (Bijou Phillips) and Lorna (Heather Matarazzo) are convinced by Axelle (Vera Jordanova) to join her on a spa vacation. The party travels to a small Slovak village and checks into the local hostel and retires to their rooms, allowing the desk clerk time to upload their passport photos to an online auction website, where American businessman Todd (Richard Burgi) bids on and wins Whitney and Beth, for himself and his best friend Stuart (Roger Bart).

Later that night at the village's "Harvest Festival," as the girls socialize with the locals, Lorna discovers that Beth previously inherited a vast fortune from her mother. As Todd and Stuart observe the girls from across the river, Stuart approaches Beth and the two share a friendly if awkward conversation before separating. An intoxicated Lorna leaves with Roman, a charismatic local, on a boat ride to a secluded shore, where Lorna is kidnapped by Roman and two accomplices. Beth and Whitney leave the party, while Axelle volunteers to wait for Lorna. The next morning the three girls, assuming Lorna is enjoying Roman's company, travel to the local spa. Meanwhile, a naked Lorna is shackled upside-down in a large room, where a woman (Monika Malacova) enters, named Elizabeth Báthory in reference to the infamous serial killer. She undresses and lies beneath Lorna in a candlelit recess. After ripping into Lorna's body with a scythe and bathing in her blood, she slits Lorna's throat with a sickle. At the spa, Beth awakes to find herself alone and her belongings stolen. As she looks for her friends, she notices two men approaching her, and escapes into the forest, where she is ambushed by the "Bubblegum Gang" before being rescued by Axelle and Sasha. As Beth is taken to Sasha's mansion, she realizes that Sasha and Axelle are responsible for Whitney and Lorna's disappearances and tries to hide, uncovering a room filled with severed heads, including Paxton's, before being kidnapped.

Deep inside the factory, a sobbing Whitney is strapped to a chair in a cell and teased by Todd with a circular saw. Overwhelmed with excitement, Todd accidentally maims her face and in his ensuing panic and revulsion refuses to kill her, prompting the guards to send the dogs to kill him for violating his contract. The guards bandage Whitney and show her photograph to other clients in adjoining cells, offering her at a discount. Stuart, now torturing Beth, accepts the offer and kills Whitney. As he returns to Beth, she tricks him into releasing her and traps him in the chair. After inadvertently activating the alarm, summoning both the security guards and Sasha to the cell, Beth offers to buy her freedom with part of her inheritance. When Sasha explains to her that she must kill somebody to leave, Beth cuts Stuart's genitalia off and tosses it to the guard dogs who eat them, and then she leaves him to bleed to death. Per the standard contract, Beth is given an Elite Hunting tattoo. In the closing sequence, Axelle is lured from the village festival into the woods by the Bubblegum Gang, where Beth surprises and decapitates her, allowing the gang to play football with her head.


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Bhram (2008)

Sometimes, you miss out on a few movies due to their uninspiring promotion. You're so put off by the quality of promos/posters/billboards that you are in no mood to leave everything and rush to the nearby cineplex. There're times when inadequate publicity also plays a vital role in keeping the moviegoers away from theatres. Uninspiring promotion as also an unsung release goes against Bhram largely.

Honestly speaking, Bhram, helmed by Pavan Kaul, is engaging in parts. The film holds your attention intermittently, but the writing gets too predictable in the latter reels. The problem is, the incidents leading to the culmination appear to be a complete compromise from the writing point of view.

Let's explain. In Bhram, director Pavan Kaul doesn't open the cards at the very outset. You've to be alert to grasp things since the past and present move concurrently in the first hour, which, let's face it, tends to get confusing at times. It's only at the interval point that you exclaim, 'Okay, got it' and you look forward to the second hour with enthusiasm.

Any thriller works if the culmination hits you like a ton of bricks. In Bhram, it doesn't. The ending is so tame, so hackneyed that you know the answers even before they're spelt out on screen. That's when the impact evaporates into thin air!

Antra [Sheetal Menon] is a successful model, but is hiding behind the veil of a traumatic past. Shantanu [Dino Morea] is initially attracted to Antra, who snubs him initially, but the two develop a strong bond subsequently.

Things take a dramatic turn when Antra is introduced to Devendra [Milind Soman], Shantanu's elder brother. The wounds re-open and the skeleton tumbles out of the closet...

Pavan Kaul has managed to lay his hands on an intriguing story, but the writers let him down. While the first hour isn't faulty, things go awry in the second hour. When Dino lands up in Manali to experience the truth, he meets a series of people who were present on the fateful day. Now note this: Everyone seems to be talking of the birthday party, but the incident never takes place then. It happens at a time when only the young kid is a witness. So how would the entire town know what really transpired?

The assorted people Dino meets in Manali are suddenly told to keep their mouth shut. Wait, a still photographer is murdered as well. The question is, how does the key culprit [name withheld] enjoy such clout in an altogether different state, when, in the first place, people blame him for the rape and death? Clearly, the writers [writer: Bhavani Iyer, screenplay-dialogue: Radhika Anand] don't know how to culminate matters. Incidentally, the dialogues are too hot to handle. Sure, it's right to change with the times, one doesn't argue that, but why so many words and terms which are in poor taste? Not required!

As a storyteller, Pavan Kaul has chosen an interesting story and the execution of the subject supersedes his earlier efforts. He has handled a few sequences with maturity, especially the finale [filmed on a breath-taking location]. But why the sepia effect in most parts of the film? Not needed! Music [Pritam, Siddharth-Suhas] is quite okay, although the songs aren't too popular and therefore, don't come easy on your lips. Cinematography [Hiroo Keshwani] is first-rate. Editing [K. Rajgopal] is loose. The film should be tightened by at least 15 minutes.

Milind Soman gives a decent account of himself. There wouldn't be a reason to dislike him. Dino Morea carries off his part with sincerity. The vulnerable look comes across well at places. Sheetal Menon fits the role. Simone Singh is first-rate. Chetan Hansraj is strictly okay. Sheetal Shah is hardly there. Ditto for Deepshikha.

On the whole, Bhram has an interesting story to tell, but lack of hype, face-value and uninspiring promotion will hit the business hard.

Review Source: Entertainment.oneindia.in


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One Two Three (2008) Pre DvD RiP

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Dragonball Z Movie 2 :- The Worlds Strongest

Thanks to the Dragon Balls and his dedicated assistant Dr. Kochin, the evil Dr. Wheelo has been freed from his icy tomb. Now these mad scientists plot to take over the world with their fearsome biotechnology...There's just one hitch. Dr. Wheelo's body died, and now his brain is living in a glass jar! Dr. Wheelo seeks the strongest, healthiest body in the world to be the new home for his magnificent brain, so Dr. Kochin and their android warriors kidnap Piccolo and Master Roshi in their quest to find the world's strongest fighter. Goku, Gohan and Krillan come to their friends' rescue, but Dr. Wheelo's henchmen are amazingly strong! To make matters worse, it seems that Dr. Wheelo not only wants to have Goku's body, but he already controls Piccolo! Willour heroes save the day or lose their minds?! Watch the movie to find out.


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Apne (2007)

With Shraddhanjali, his directorial debut, Anil sharma proved that he could make you moist-eyed. With Hukumat, he proved that he could pull off a vendetta fare with gusto. With Gadar, he proved he could handle a love story with two neighboring countries as the backdrop with remarkable ease.
Apne, his new endeavor, is all about familial bonding. In a way, the storyteller goes back to his roots in his new outing -- emotions.

Apne casts a father [Dharmendra] and his two real-life sons [Sunny,Bobby], in roles that suit their personalities. Besides, the backdrop of boxing makes the conflict in the story look convincing.
Apne is rich in emotions and a number of sequences, especially those between Dharmendra and Sunny, are electrifying. Also, the boxing matches [Chris Anderson] are pulse-pounding and you clench your fists tightly due to the tension that's depicted on screen.

But Apne has its share of shortcomings as well. Ideally, the film should've had a concise format of 2.15 hours, instead of 2.54 hours. Besides, the screenplay, although tight at most times, succumbs to mediocrity at places. Music too is another aspect that should've had a lingering effect, since it's not everyday that the three Deols come together.

To sum up, Apne is desi at heart and holds appeal for those who swear by desi flicks. A worthy effort nonetheless!

Baldev Singh Choudhary [Dharmendra] won a silver medal in the Olympics and made India proud. His only dream was to make history by becoming India's first World Heavyweight Boxing Champion. But sometimes dreams get shattered before they can be realized.

When in the U.S., fighting for the World Heavyweight Championship, the betting mafia conspires against him and gets doping charges leveled against him, which gets him banned from boxing.

For an athlete nothing can be worse than doping charges. Baldev wants to get rid of this stigma and pain by training his elder son Angad [Sunny Deol] in the sport of boxing and make him a World Heavyweight Champion and create history which eluded him.

Apne Trailer

But Angad has some other dreams, other aspirations, other commitments... Karan [Bobby Deol], the younger son, a musician, in spite of wanting to fulfill his father's dreams, is helpless. But the story takes a turn when Karan decides to live his father's dream. The situation spirals out of hand subsequently.......

Apne grips you gradually. Anil Sharma and writer Neeraj Pathak open the cards at the very outset. The uneasy relationship shared by the father and son [Dharmendra, Sunny], Dharmendra's failed ambition, the turning point in the tale [when Bobby steps in to fulfill his father's dreams] make the goings-on watchable. The narrative only gets absorbing when the focus shifts to the boxing ring and the opponent [Luca] steps into the picture.

But there's a flip side too. The choreography of these sequences [in the boxing ring] is so real that it can be off-putting as well, especially for the faint-hearted. Also, the climax is well crafted, but, ideally, it should've ended when Sunny overpowers the opponent. The subsequent portions [Bobby's liver problem] only add to the excessive length.

Director Anil Sharma handles the emotional sequences brilliantly. In fact, a number of scenes bear the stamp of a solid storyteller. The screenplay [Neeraj Pathak] is taut, except for a few loose ends. Himesh Reshammiya's music is a complete letdown. Barring the title track, the remaining songs are uninspiring. Kabir Lal's cinematography is topnotch. The lush green fields and locales of North India give the film a rich texture.

Apne belongs to Dharmendra. No two opinions on that. The veteran roars like never before and proves yet again that he's a magnificent actor. Sunny is first-rate. Bobby is alright, but the one complaint that you hold against him is, why didn't he work on his physique when he accepted this role? If he's playing a boxer, he can't afford to show his flabby chest and stomach.

The leading ladies don't have much to do. Shilpa at least gets a few scenes, while Katrina is there to shake her booty only. Kirron Kher is superb yet again. In fact, she has a far meatier role than the two ladies. Divya Dutta is wasted. Victor Banerjee is natural. Jawed Sheikh gets minimal scope. Aryan Vaid is alright. Luca is excellent.

On the whole, Apne is rich in emotions and has the potential to strike a chord with families. Those who love emotional fares are bound to take a liking for its theme. At the box-office, it has the power to grow with a strong word of mouth. Business in North India will be the best. However, trimming the film will only elevate its status.

Final rating :- 8/10

Source:- Entertainment.oneindia


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Shootout At Lokhandwala (2007)

Shootout At Lokhandwala takes it plot from a six hour long battle between a horde of cops and a group of gangsters that actually happened years back on the lanes of Lokhandwala in Mumbai. It is based on one of the most long and drawn out encounters in the history of Mumbai police in which underworld don Dawood Ibrahim's henchmen Maya Dolas and Dilip Bua and few others were killed by the then commissioner of police, Aftaab Ahmed Khan and his team.

Shootout At Lokhandwala, directed by Apoorva Lakhia, is a multi-starrer with Amitabh Bachchan, Sanjay Dutt, Vivek Oberoi, Arbaaz Khan, Tusshar Kapoor and Sunil Shetty in pivotal roles. The movie also stars Abhishek in a guest appearance, Rohit Roy and Shabbir Ahluwalia in supporting roles. Dia Mirza, Neha Dhupia and Aarti Chabria are the female supporting roles. Rakhi Sawant makes a special appearance.

ACP Aftab Ahmad Khan (Sanjay Dutt) picks the best police and constables to form ATS ? Anti Terrorist Squad. The squad includes Kaviraj Patil (Suniel Shetty) and Javed Shaikh (Arbaaz Khan) as Khan's best officers. The squad eliminates the violent and unpredictable gangsters in a residential locality of Mumbai. Dingra( Amithab Bachchan) is the lawyer who fights for these police officers when the police department and human rights commission files a case against them for the deadly encounter.

The story is about Maya (Vivek Oberoi) and Dilip Bhuwa (Tusshar Kapoor), who made extortion the buzzword in the early 90s. RC (Shabbir Ahluwalia), Fatim/ Fatoo (Rohit Roy) and Doubling (Aditya Lakhia) are others in the gang.

This group of gangsters was led by Maya Dolas, a 26 year old man, who had a rough persona and came from a troubled background. He was taught one thing by his mother and that is to hit back when threatened. Whether his upbringing as a criminal was just due to this fact may never really be known but the fact is that he made steady progress in underworld. In his gang was his loyal companion Buwa, who was next in power after Maya. Fattu's initial assignment didn't quite work the way it ideally should have and hence he was nicknamed 'fattu' [someone who gets scared quite easily]. Though Fattu did commit many a murders later on with complete confidence the name stuck to him. The gang had its comic element coming in the form of Doubling, a man who said everything twice. RC was constantly drunk and this is what kept him on his feet. Because whenever he was in conscious, he could sense the ghost of a family whom he had killed unintentionally.

ACP Khan believed that the best way to clear a police station's rack of records is by eradicating the criminal. Leading Anti Terrorist Squad, he was now on one of the toughest missions of his life as he guided his team to take the battle heads on. Inspector Kaviraj Patil had a dry sense of humor. As ruthless as his boss Khan, he too was heartless when it came to criminals. Constable Javed Sheikh was perhaps the most complex character of all. Turning pessimistic due to the kind of life a cop leads with limited earning and a difficult way of life, Javed was almost neutralized by the entire state of affairs.

And once the battle between these two sides of law commenced, the city saw one of the bloodiest encounter ever. Then in the form of enquiry commission, bloomed a different kind of battle, to figure out if the encounter done was right or wrong. Advocate Dhingra , former Chief Justice, his job was to hear the story from the heroes of the longest encounter in police history, solve the jigsaw puzzle and present it to the court of justice.

Meeta Mattoo (Dia Mirza) is a bold and beautiful reporter who covers the encounter live. Tannu (Aarti Chabria) is a bar dancer. Neha Dhupia is Sanjay Dutt's wife. Aai(Amrita Singh) is the proud mother of Maya.

Direction:
Apoorva Lakhia has given the right treatment the movie requires for its impact. It's a crude, raw and violent movie. The movie begins with spots of blood here and there on the streets and in the building of Lokhandwala and the movie end with blood-soaked gangsters being carried away. The movie plot construction is slightly complex as the movie progress with the questions posed by Dingra for understanding the case better to win the case for the police.

Acting:
Sanjay Dutt, as the Assistant commissioner, with his bold and strong personality suits the role best. His performance is marvelous throughout and is worth applause. Suniel Shetty, with a mixed personality of both gunda and a police officer, carry the role of a ruthless and heartless police officer excellently well. Arbaaz Khan is also competent enough. Vivek Oberoi is good in his role as a gangster. Being trained by a real gangster, he could have done more justice to the role. Tusshar Kapoor just doesn't suit the role a gangster. Shabbir Ahluwalia, Rohit Roy and Aditya Lakhia are ok. Dia Mirza, as a reporter, has performed well. Aarti Chhabria is mesmerizing as a dancer girl. Neha Dhupia is good. She has very few scenes and nothing to be judged in them.

Overall:
Positives: The raw and crude handling of the movie by the director is fantastic. The background scores where good.

Negatives: Two songs in the movie were unnecessary and also meaningless. Special appearance by Rakhi Sawant was an unwanted inclusion.

Shootout At Lokhandwala has curtailed its audience by its crude and violent theme. It's definitely not a family entertainer. Business will be good at multiplex and especially in Mumbai.
Final rating: 6/10

Source:- Nowrunning

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